Forecasting the Future of Museums

What hand will Fate deal your museum?

WMA was pleased to have AAM’s Center for the Future of Museums Director Elizabeth Merritt lead two sessions on futurecasting. Now, even though tarot cards were involved in the second session (hey, it was the last time slot of the entire conference–we needed a hook for the audience!), Elizabeth was quick to point out that forecasting the future is not fortune telling or predicting the future. Instead, forecasting is a process of looking at current trends and getting a sense of where they are headed so that you can envision several possible future scenarios–and then shape your museum’s course to try to reach the scenario that looks the most promising and to avoid the most dystopic scenarios.

This is what makes futurecasting a valuable planning tool–it is a strategic way of looking at the unknown.

The first session, co-moderated by the California Association of Museums Director Celeste DeWald, focused specifically on California as a cast study for the futurecasting process and involved group activities to help audience members get a better sense of how to identify current trends.

Maybe that sounds easy, but it’s trickier than one might think! Identifying trends does not mean making predictions or guesses about the future–it means scanning the present and really being aware of recurring behaviors, tools, activities, etc. and looking for patterns. Elizabeth describes trends as follows: “Trends are gradual, incremental changes that can be monitored, measured and extrapolated into the future to give us our most ‘Plausible Future.’”

In the second session, three outside experts (read: non-museum people–gasp!)* described the trends that they see happening in their fields of technology, staffing and organizational sustainability. Using these trends along with a few “black swan” events also proposed by the panelists, the audience was tasked with imagining scenarios for museums set in a world defined by these trends and events.

The black swan event is the death of the nonprofit museum. How alarming! I wonder what the trends are?

This is where the tarot deck came into play. Before the session, Elizabeth and I transformed 16 cards from a tarot deck into our futurecasting hands, consisting of some combination of trends and disruptive events. In four groups of five, the audience examined their hands and put on their storytelling hats to envision how museums would survive in these worlds–and with events like museums all losing their nonprofit status, survival was definitely a struggle in some of the scenarios!

But the point is, you don’t need a crystal ball, medium or even a deck of doctored tarot cards to look into the future. You can start looking around your own environment right now and start scanning for trends and developing strategies to embrace, respond to or prepare for meeting the change that those trends may bring.

* Many thanks to Anna Richter of NTEN, Justin Yuen of FMYI and Meg Busse of Internships.com for participating!

WMA 75th Anniversary Celebration Part 1: The Set-up

While conference attendees sit entranced listening to sessions, members of the WMA board, Conference Solutions and friends are busily preparing for the celebration and business lunch!

Here are some behind-the-scenes shots!

Discussing the stylish WMA umbrellas

Festive Tables

Testing the Podium

We’re looking forward to seeing you ALL at 12:30!

How Does Your Museum Handle Controversy?

by Allyson Lazar


Evening events at conferences are always fun and often inspiring. A much asked topic in the museum field is that of how to handle contemporary (read: relevant) controversial topics in society. The 2005 Muse Award-winning Modern Oregon Issues segment of the Oregon My Oregon exhibit at the Oregon Historical Society tackles that question head-on–along with a menu of controversies faced by Oregonians.

And when I say menu, I mean literally! The exhibit is set up like a 1950s diner. Table-top juke boxes sit atop a lunch counter, but instead of golden oldies like Elvis and the Everly Brothers, visitors can select items such as “Forestry” or “Assisted Suicide.” And, instead of just an audio recording, what results when you make your selection is a video looking at the topic from multiple viewpoints. A nearby “menu” lists the people featured in each film.

What creative methods for handling controversy does *your* museum use?

CSI: Registrars at Pittock Mansion


by Allyson Lazar

Sunday morning, while other conference attendees were en route to Portland or just getting their first cups of coffee for the day, a bright-eyed group of registrars and collection managers, organized by the Registrars Committee-Western Region, trekked up to the wooded west hills to spend the day volunteering at Pittock Mansion!

But before we removed all of our dangling items and donned our gloves, we took a little tour of the fabulous mansion built by the Oregonian magnate, including the impressive grand staircase and…

…the world’s most amazing shower! Keep in mind that this house was built in the very early 20th century! Mr. Pittock loved the latest in all technology!

After we were done oohing and aahing of the view from the bathroom(!)

…we got down to the serious business of inventorying and rehousing textiles. When we were done, a closet had been lined with inert foam to protect the items hanging in it…

…and we had made our way through tons of boxes of table linens, baby clothes, lace and dresses!

We had an awesome day–and I hope you will have a fantastic time, too, when you visit Pittock Mansion tonight as part of the evening event!

Make Your Mark: Strategies for Rebranding Your Institution or Program

by Nicole Trudeau

What is the public face of your institution? How do people respond to your “brand”? What exactly IS a brand?

The J. Paul Getty Museum’s Design Department asked themselves these very questions recently when reviewing their Education materials. They’ll be sharing their story at a WMA pre-conference workshop on Sunday, October 16th, where they will show you the brand they developed, and offer tips and tools you can use to strengthen the brand of your museum or program.

This is a unique opportunity to gain perspective and direct feedback from Senior/lead Designer, Nicole Trudeau, and Education Specialist, Ami Davis, in an intimate setting! Second Story Interactive Studios, dealing with branding in the interactive realm, will host the event at their beautiful offices in Portland. Bring along samples of your work to share with colleagues, and receive one-on-one advice from the Getty professionals who have first hand experience with the challenges associated with developing and adhering to a brand.

Take a look at some images of before and after samples of the Education brand throughout this post!

PS: Nicole was also responsible for the new look and feel for the WMA!

[However, Nicole was NOT responsible for the layout of this blog post. - Ed.]

PPS, It’s not too late to sign up! To register for “Make Your Mark” click here!

Final Program Draft Now Available!

Co chairing the program committee for the Portland meeting has been very rewarding. The penultimate version of the PROGRAM has just been posted on the main conference page. Check it now for your pre-conference workshop locations and for all the latest details on sessions and events. The conference promises to be a good one this year and I for one am really looking forward to exploring the cultural and culinary highlights of Portland.

Merritt Price
Program committee Co-chair,
WMA Portland 2010

Design Manager
The J. Paul Getty Museum

Arr, Mateys! There be Museums Ahead!

Avast ye! It be International Talk Like a Pirate Day, so batten down the hatches, all ye land lubbers, put down yer grog and prepare ye for some links to pirate-themed museums and exhibitions! We’ll not be toleratin’ any bilge rats here, so look to ‘em smartly! And if ye be havin’ more pirate/museum sites to share, please be doin’ so in the comments.

Oh, and while ye be checkin’ out the museum sites on this fine day, be sure to watch “The Goonies,” a right fine moving picture about a pirate adventure set in motion when some kids go raiding the off-site storage area of the historical society in Astoria, Oregon…

Pirate Soul

New England Pirate Museum

Blackbeard the Pirate at the North Carolina Maritime Museum

Expedition Wydah

“Real Pirates” Exhibit

Pirates of Nassau Museum

Mel Fisher Maritime Museum

Graveyard of the Atlantic

San Diego Maritime Museum